William Deresiewicz’s essay “Empty Regard” delivers a punch while illustrating that overuse of the term “hero” has drained the word/story of it’s true military meaning and
worse, out-right accuses embarrassed team-players of grand standing. Online replies from members of the military tell their personal stories that will silence and liberal or conservative hoping to wag a finger in the air. What happened happened, an important specific symbol was generalized into meaninglessness. [Read more…]
Raf asked me about "untrue stories"
“How true does a story have to be?”
Raf – a good buddy who stretches my brain – asked me to visit http://significantobjects.com/ where people make up stories and compete to see how much value they can add.
I puff up with pride and can barely muffle my “told you so!” when well told stories take a meaningless object and give it enough meaning to register in dollars and cents! Whoo hooo!! The project raised money for writing programs, until is was shut down. I suspect the project was suspended because technically they were committing fraud. Oops, no harm meant. Adding a sentence: “even if they knew it wasn’t true” can’t fix the fact that eBay tests do not show any substantive disclaimer like, “This story is false.”
My philosophy is being tested here:
“People don’t want your information, they want faith..that you know what you are talking about, that this is a good product, they will be happy they listened to you…”
Faith that you are telling the truth, in other words. I want to focus on this point, not because I’m all uppity about the ethics, but because this is a critical crossroad where your choices make you a good storyteller or a brilliant storyteller.
I deeply believe all stories should be literally true, or transparently metaphorical or fiction – movies, folk tales, etc.
Untrue stories (particularly those that could have happened) are still untrue. Lying to your customers is bad business. And, I use this inflammatory word not to insult anybody, but to grab your attention.
Two reasons I recommend you keep working until you can tell it a true story.
1.If you have to invent a story, you aren’t doing your homework.
Either, you haven’t been talking to your customers, or you haven’t tested your product yourself in real situations…whatever it is. Needing to invent a story – to take that kind of short cut – reveals a much bigger problem in that you don’t know a true story that is worth telling. If the product is actually good, and you know your audience, then why do you need to make something up? I think it is a warning sign.
2. Customers generalize.
If I discover you told me one untruth, I will doubt everything. In today’s market trust is incredibly expensive to create and maintain. The ROI of untrue stories can’t be high enough to compensate for the risk of losing trust. Maybe it is a small risk, but Toyota having a jammed gas-pedal was also a tiny probability.
In the case of the eBay items, the fictional backstory seems harmless enough, unless it encourages anyone to tell untrue stories for any reason other than entertainment.
At least, this has been my personal experience:
One time, in New Orleans I began a keynote at a great hotel by saying, “I love this place, and I am extra happy to be here today.” I followed with a story (big surprise) about how the last time I was in that hotel I was a child, it was Easter and I was with my mother and father who had decided to take a trip to New Orleans. I remembered that trip so vividly because in the lobby downstairs were bunnies!
Bunnies not just for show, but bunnies I could hold and pet. I was in heaven. There was a circle of colored corrugated cardboard and I could reach in and just pick one up. As an adult, I’m sure there was also a hotel staff member who managed that process. But I don’t remember that, I just remember burying my face in the neck of a warm soft bunny.
Later, at the client’s evening event I felt a vise-like grip pinch my elbow, I turned and a woman tugged my arm down so she could reach my ear.
“Was that true?”
“Was what true?”
Whatever it was, her tone indicated she believed it was not true. After asking a few questions I realized she figured the bunny story was adapted to lots of hotels. to unfairly suck the participants into liking me.
I didn’t blame her. I hate it when people make up stories. I feel demeaned and betrayed if I find out I smiled or cried or felt a strong connection – when the story wasn’t even true.
Conversation on Twitter at #TRUorNOT
Storytelling and Big "T" Truth
Andrea from Italy: What is your story about Storytelling?
As a child I wondered why people did not tell each other the truth. I wondered even more why they did not tell themselves the truth. In the beginning I puzzled over little untruths: “Everything is fine. They mean well.” When I knew that person did NOT mean well. That person was mean as a snake. Little lies bothered me. “You look great.” I thought, “liar.” As you can imagine I was not popular with teachers, now was I the most popular girl in high school. [Read more…]
Words are no more powerful than the stories they tell
While I believe Jared Loughner is mentally ill, I also think it is a good time to discuss the power of words.
What (crazy) story prompted Jared Loughner to try to assassinate Congresswoman Giffords? Did he make his story up from scratch? Probably not. The metaphor of war is so deeply embedded in our American culture we should all take a look in the mirror.
We wage war on fat. We tell war stories to the new interns. Budget meetings are battles. We wonder if proving a point is a “hill worth dying for.” We need firepower to gain market share. In 1984, I danced and pumped my fists in the air as Pat Benatar sang “Love is a Battlefield,” because I would rather see myself as a victim instead of a young woman dumped by some guy. War is a fabulous metaphor if you need to disassociate yourself from responsibility. How could I be a victim if I’m the one who chose the guy in the first place?
Not only do we avoid responsibility, the war metaphor gives us permission to change the rules of civility. It legitimizes tactics of war including disinformation, “gun and run,” distraction, and Sun Tzu’s favorite: deception.
These newly legitimized actions gain steam when a story moves from concept to reality. I teach people how to do this. I teach them how to use sensory words to create images, simulate sounds, smells, tastes and physiological feelings to create a virtual reality in a listener’s mind. Imagine your grandmother, surrounded by the smells and intrusive sounds of a hospital. Hold her warm hand in yours and look into her cloudy eyes filled with love, as you hear the doctor behind you say, “You will have to take her home, she is past eighty years old and we don’t keep people alive after eighty.” Or you could read the two thousand plus pages of the healthcare reform bill and figure out for yourself what it means for your grandmother.
Pictures, music, and words have the power to turn a metaphor into a story that feels literally true – a story you can touch and feel – particularly if you are in a group when you hear the story. Martin Luther King, Jr. used the same strategy of sensory story/words to incite non-violent action almost fifty years ago when he stirred the imaginations of hundreds to see, hear, touch and feel:
“I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.”
“One day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.”
It is the words and images that make a story feel real, urgent, and demanding action – that have power.
I don’t know what happened with Jared. My heart breaks for everyone suffering from that tragic event. But it gives us an opportunity to reflect on the power of any story told well, to create change and inspire action in the direction you choose. May we all choose well.
Pulled in too many directions
This guy is in pain. I’ve seen this drawing from many people in many industries. The tug of priorities feel like they are tearing you apart. What I like about this guy’s drawing is the expressions on the faces of the people who need his attention. A nice person, a mad/mean person, a sad person, a clueless person, and the two handed power tug of a scared person. All priorities are not equal and yet the sense of urgency of the “tugger” is unrelated to the importance of the priority. This picture also gives the drawer a chance to see that he/she draws him/herself as a victim with no power. The question arises – Is that really true?
Tied to Technology
In the late 1990’s people called their cell phones a leash. They resented that the office could find them anytime and jerk them back as if they were a dog on a leash. Now, if you google “cell phone leash” it is something you buy to keep you from losing your cell phone. Except it’s not just a pull from the office and not simply a cell phone. This guy had a personal iphone (voice, text, email, internet, apps) had to use a blackberry for work as well as answer (check the voice mail) a land line and who knows what else. The emotion is clear. He feels like he is under house arrest with the ankle cuff, and overwhelmed with incoming pleas for his attention. It takes a very special person to not feel inadequate or frustrated in these circumstances. Many responded to his drawing and validated that he’s not alone.
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